Artists

Artists currently working with Blue Sapphire Music Inc.

Frank D’Angelo

one-more-moment-300“It has been a long time since I have seen a singer inspire a band of musicians as he did.” “If you ever are in need of an album to cozy up with a box of chocolates, a dozen roses, a magnum of sparkly and someone you love, Just Give Me One More Moment is just the ticket.”

David Farrell in newcanadianmusic.ca

 

SEE FRANK – LIVE IN CONCERT

Frank D’Angelo and his 15 piece band will be on tour across Canada for his new album.

The “Just Give Me One More Moment Tour”
See Frank D’Angelo & his 18 piece band perform Live!

Toronto
The Mod Club (A Jewel 88.5 presentation)
Thursday, July 17th at 7pm
The first 50 people will receive an autographed CD/Blu-Ray combo pack of the album “Just give me one more moment” and the movie “Real Gangsters”.

Montreal
Leonardo Da Vinci Centre Theatre
Friday Sept. 19th, 2014 at 8pm

Ottawa
Lac-Leamy Casino
Saturday Sept. 20th, 2014 at 8pm

Markham
Flato Markham Theatre
Thursday Sept. 25th, 2014 at 8pm

Halifax
Halifax Casino
Saturday Oct. 4th, 2014 at 8pm

For Discography, click here

Catch up with Frank on Social Media:
Website: http://frankdangelo.ca/

Youtube : http://www.youtube.com/user/frankdangelomusic (nearing 4 Million views)
Twitter : https://twitter.com/FrankDangelo23 (nearing 400,000 followers)

 

Watch Frank’s Debut Film

REAL GANGSTERS

All songs from Frank D’Angelo’s new album are featured in the soundtrack of the movie “Real Gangsters” starring: Robert Loggia, Nick Mancuso, Steven Bauer, John Savage, Michael Pare, Robert Mangiardi and Margot Kidder
To watch at Trailer for Real Gangsters, click here (insert link to trailer)

 

SEE FRANK’S NEWEST FILM

‘BIG FAT STONE”

The Big Fat Stone is currently on a film festival tour across the globe . It recently won ‘Best Picture’ at the 2014 Movieville Film Festival in Bradenton, Florida.

 

BEAUTIFUL NOTHING

downloadBlue Sapphire Music welcomes Beautiful Nothing to our label. The Toronto-based Alt-Rock band managed by Gerry Young from Current Management released their debut album on May 20th. The self-titled release is distributed through Universal Music Canada.

Beautiful Nothing features:

Anthony Ludgate (vocals/keyboard)
James Featherstone (bass)
Luke Ludgate (guitar/keyboard)
Shane Ludgate (drums/percussion/piano)
Sven Petrovic (guitar)

Beautiful Nothings Official Website: http://www.beautifulnothing.com/

 

BEAUTIFUL NOTHING – REVIEWS & HIGHLIGHTS

“COME COLOR ME” is a feisty thing, primo springtime guitar pop, hitting a sweet spot somewhere between school of early Coldplay and the West Coast big guitar sound exemplified by Yukon Blonde. Beautiful Nothing’s self-titled debut CD is set for release May 20, 2014 on Jeff Burns’ Blue Sapphire Music label, distributed by Universal Music Canada.” Lenny Stoute – Cashbox Canada

“This album is a massively entertaining slice of Power Pop and New Rock – while simultaneously being neither …Beautiful Nothing has managed to defy both categorization and influence spotting. The album fires on all cylinders with the first single, “COME COLOR ME“, a melange of ’80s brooding melodicism and a finger-popping bass hook courtesy James Featherstone reminiscent of local heroes Chalk Circle or even Breeding Ground. The production by Anthony Ludgate and Bill McDowell is first rate on this disc – well above indie band level.” Jamie Vernon

“First single COME COLOR ME is a well-crafted and melodic guitar-fuelled rock song that seems to possess all the necessary elements for a rock radio hit.” Kerry Doole, NCM

“Occasionally, very occasionally, a group or artist will emerge from the wannabe rabble with a release that just screams hit record! Toronto’s Beautiful Nothing is just such a band … Powered by Anthony Ludgate’s infectious vocals, Beautiful Nothing project a feel-good sound, driven by strong melodic numbers powered by strong lyrical hooks, and creative instrumental arrangements “ The Music Express – Keith Sharp

“The Hamilton/Burlington five-some created wisely crafted contemporary rock with strong references to early ‘80s new wave, with a hint of classical Clash and even an occasional rap vocal.” Edgar Breau – Hamilton Spectator

 

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